The Panasonic DMC-GH1 has been greeted with a mixed response – the inclusion of a 14-140mm superzoom lens makes it look pretty expensive compared to its sister model, the G1. However, with its second Micro Four Thirds camera, Panasonic is offering more of a stills/movie hybrid than we’ve yet seen – and the designed-for-video lens is very much part of that. So can one camera offer fully-featured video and first-rate stills? Lars accompanied it up the red carpet to find out. Read our full review here. Given that the lens is an integral part of the camera’s capabilities, Andy subjected the Lumix G HD 14-140mm F4-5.8 OIS lens to its own screentest, to see if it helps justify that high entry price.
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